From Martin: D-16E - The D-16E is a Dreadnought, with a 000 depth, constructed of a Sitka spruce top and sycamore back and sides. Instead, this dreadnought entry from Martin’s new Americana series is bound in matte silver with a matching heel cap. But the D-16E still manages to stand out in this price class, thanks to easy playability, sparkling tonal consistency, and plug-and-play gig readiness. Pros: New for 2017 NAMM, read more here. I’ll admit I was just a little taken aback when I first removed Martin’s new D-16E from its hardshell case. The neck feels sleek and fast, and so does the factory-set action. The Martin D-16E 16 Series Dreadnought model is crafted with satin-finished ovangkol back and sides for resonant sound with deep bass and rich overtones. This tonality is blended with the dry signal via a thumbwheel control inside the treble side of the soundhole. Martin & Company D-16E Martin & CO., Inc.,  All Rights Reserved | Privacy Policy. It’s a sustainable alternative to classic choices like rosewood and mahogany, which are becoming scarcer. It includes a bridge plate–mounted transducer as well as an imaging feature engineered to emulate the sound of the guitar as if it were miked in the studio. Some dreadnoughts can be too bass-heavy, but that’s not the case with this guitar. Beautifully built. While it’s not a household name as far as tonewoods go, sycamore grows abundantly across the United States and falls somewhere between mahogany and maple when it comes to density and mahogany’s dark and maple’s bright tonality. Copious care has been taken with the frets, too, which are perfectly crowned and polished. All Rights Reserved The neck shape is what many players consider Martin’s most comfortable profile—a modified low oval with a “high performance” taper. Playability is similarly impeccable. It features silver binding and heelcap, an ebony bridge and a silver bound ebony fingerboard with mother-of-pearl diamonds and squares inlay. Hooked: Kenny Wayne Shepherd on Jimi Hendrix's "Voodoo Child (Slight Return)", 4. Silver binding isn’t the only 16-series design departure. /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. It features silver binding and heelcap, an ebony bridge and a silver bound ebony fingerboard with mother-of-pearl diamonds and squares inlay. It’s built around a Sitka spruce top, but the back and sides are sycamore. This acoustic-electric cutaway Dreadnought, with a 000 depth, is crafted with a Sitka spruce top and sycamore back and sides. New Nazareth Boogie It’s got a lean and uncluttered sound and gracefully balances overtones and fundamentals, which works well for a wide range of styles. martinguitar.com. Yet it only takes a few strums and leads to hear that the spruce-and-sycamore D-16E maintains the classic Martin tone pedigree—strong in the bass frequencies and full of thump. There are plenty of good steel-string options available these days—and a lot of great ones for north of two grand. Slightly less responsive than some high-end Martin guitars. Ovangkol can vary both in color and grain complexity for a unique look. Read the review: http://bit.ly/MartinD-16E I’ll admit I was just a little taken aback when I first removed Martin’s new D-16E from its hardshell case. This model sounds very much like a Martin dreadnought in terms of projection and shimmery, chordal highs, but the low-end is balanced in this mix rather than lacking. Amplified, the Matrix VT Enhance system delivers an excellent representation of the guitar’s natural acoustic sound. Terms Of Use. It will be interesting to hear how the guitar seasons in the years to come. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. High-quality electronics. Furch Yellow Master’s Choice Gc-CR Review, Lillie Mae and Frank Rische Expand Country Guitar’s Boundaries, Summer NAMM 2019: Martin Little Martin Series, Junior Series & D 16E Demos, Martin Guitar Unveils the D-16E Rock the Vote Special Edition Model, SNAMM '17 - Martin Guitars D-28 2017, D-15M Streetmaster, Model America 1, & D-18 RG Demos, 1. Balance Before Boom The D-16E is a Dreadnought, with a 000 depth, constructed of a Sitka spruce top and sycamore back and sides. Whether in standard tuning, open G, or open D, the D-16E is great for strumming. The D-16E might cost a bit less than its 18- and 28-series counterparts, but it’s no less nicely built than other high-end Martins I’ve played recently. Though I had to dig in a little more with the pick-hand fingers on the D-16E to generate the same snap that I would on, say, a Martin OM-28, this dreadnought is still great for fingerpicking. The guitar isn’t trimmed with the traditional tortoise or herringbone binding. The pickup and preamp are quiet and resistant to feedback, and they minimize unwanted transients like string squeak and body noise, making the system a great solution both for gigging and recording. It features silver binding and heelcap, a multi-stripe orange top inlay and rosette, an ebony bridge, a silver bound ebony fingerboard with mother-of-pearl diamonds and squares inlay and Fishman® Matrix VT Enhance electronics. Privacy Policy | #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; width:100%;} It’s intonated precisely, and there are no buzzes or dead spots anywhere on the neck. Better still, it’s a beautifully playable and comfortable dreadnought. This isn’t hyperbole on Martin’s part. With subtly unique styling, the D-16E is classic Martin in every sense and full of fresh ideas, too. First Look: Hughes & Kettner Spirit Nano Series. But what it lacks in heavy impact—a tone quirk that might be related to the shallower body and the sycamore back and sides—it makes up for in clarity and balance. This is a great all-around guitar for players of any style. The sycamore on the review model is attractive, too—with a wavy grain pattern and a rich brown coloring. The binding and purfling work is totally clean, without a hint of excess glue. Cascading arpeggios in DADGAD sound particularly rich on the D-16E, though ringing open tunings with lots of octave overtones can make the D-16E feel just a little buttoned-up. It features silver binding and heelcap, an ebony bridge and a silver bound ebony fingerboard with mother-of-pearl diamonds and squares inlay. He contributes to, On PremierGuitar.com, "Sponsored Content" refers to articles, videos, or audio recordings that are produced or curated by an advertiser but that. Your Pedalboards 2020: Part Deux, 1. PRS SE Hollowbody II Piezo: The PG Review, 3. C.F. Yet it only takes a few strums and leads to hear that the spruce-and-sycamore D-16E maintains the classic Martin tone pedigree—strong in the bass frequencies and full of thump. MARTIN CLEARANCE SALE! And it probably wouldn’t be the first choice for, say, an unplugged bluegrass jam. */, Copyright ©2020. The D-16E’s responsiveness isn’t exactly that explosive. Better still, it’s a beautifully playable and comfortable dreadnought. Cons: This pickup-and-preamp system does away with the plastic block plate typically mounted on the upper bout in favor of volume and tone controls tucked inside the bass side of the soundhole.